Take the person from the reference image and re render them as a formal studio portrait taken in Korea in the 1930s, surviving today as an aged print. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape, skin tone and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. Any period retouching may soften skin texture only and must never reshape a single feature. Treat this as a photograph of the same person taken on a different day. Restyle only the following. Hair: short black bobbed hair with a deep side part and finger waves pressed close to the head, no volume. Makeup: pale powdered complexion, thin high arched pencilled brows, small dark lips painted inside the natural lip line. Clothing: a modernised hanbok with a short pale silk jeogori and a long dark chima, small pearl earrings. Pose: seated upright and still, body squared to the camera, unsmiling and composed. Framing: a tight chest up portrait cropped just below the chest, the face large and centred, only a narrow margin above the head, no wide empty space. Background: a plain mottled grey painted studio backdrop with a soft dark vignette. Rendering: black and white with an uneven brown sepia tone, patchy fading, dull brown blacks and dirty cream whites, very low contrast, dust specks and faint surface scratches, coarse silver gelatin grain, soft focus with no crisp detail. No clean modern print, no bright whites, no colour, no smiling, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as a formal studio portrait taken in Korea in the 1930s, surviving today as an aged and damaged print. IDENTITY LOCK, highest priority and more important than any styling instruction below: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not sharpen the jawline, do not change the apparent age. Keep the forehead and both eyebrows fully visible and unobstructed, keep the head facing the camera, keep the expression neutral with the mouth closed. Restyle only the following. Hair: short black hair combed flat and slicked back hard with pomade, a sharp defined side part, shaved high and clean around the ears and neck, absolutely no volume and no modern texture. Grooming: clean shaven, no stubble. Clothing: a dark heavy three piece Western suit with a high buttoning jacket, a stiff white detachable collar and a narrow dark tie, small round wire rimmed glasses. Pose: seated upright and perfectly still, body squared to the camera, hands out of frame. Framing: a tight chest up portrait cropped just below the chest, the face large and centred, only a narrow margin of about one tenth of the frame height above the top of the head, no wide empty space and no full torso. Background: a plain mottled grey painted studio backdrop with a soft dark vignette. Rendering: black and white with an uneven brown sepia tone that shifts across the frame, patchy discoloration and faint yellow blotches spreading in from the corners, heavily faded so the darkest tones read dull brown and the whites read dirty cream, very low contrast, silver mirroring sheen in the dark areas, scattered dust specks and small surface scratches, one faint crease line, coarse silver gelatin grain, edges of the print worn and darkened. Keep the facial features themselves resolved and readable despite the aging. No clean modern print quality, no bright whites, no deep blacks, no colour, no smiling, no idealised generic model face, no text, no letters, no watermark. Verify before finishing that the face still matches the reference image feature by feature.
2. 1970년대 흑백 사진관
여자는 부풀린 세팅 머리에 두꺼운 아이라인, 남자는 귀를 덮는 장발에 콧수염입니다. 이 시대는 헤어가 전부입니다.
여자
Take the person from the reference image and re render them as a black and white Korean photo studio portrait taken in the 1970s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. Keep the forehead and both eyebrows fully visible and unobstructed. Keep the expression close to neutral. Restyle only the following. Hair: black hair set into a rounded bouffant with strong teased volume lifted high at the crown and swept back off the forehead, the length turned under at the jaw or pinned up at the back, stiff with spray, absolutely no long straight modern hair and no centre part. Makeup: pale even complexion, strongly defined dark eyebrows drawn with a soft arch, thick black eyeliner along the upper lash line extending well past the outer corner, heavy dark lashes, pale frosted lips. Clothing: a dark blouse or knit top with a wide pointed collar, small stud earrings. Pose: seated with the body turned thirty degrees away and the face returned to the camera, chin slightly lifted, a faint closed mouth smile. Framing: chest up, the face centred and moderately large, a narrow margin above the hair. Background: a smooth painted studio backdrop in plain light grey, darker at the corners. Rendering: black and white only, soft frontal studio lighting, fairly strong contrast with clean whites and dense blacks, visible coarse film grain, moderate softness, subtle vignetting. No colour, no sepia, no modern hairstyle, no modern makeup, no heavy blur, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as a black and white Korean photo studio portrait taken in the 1970s. IDENTITY LOCK, highest priority and more important than any styling instruction below: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not sharpen the jawline, do not change the apparent age. Keep the forehead and both eyebrows fully visible and unobstructed, keep the expression close to neutral. Restyle only the following. Hair: black hair grown thick and long enough to cover the tops of the ears and touch the collar, parted at the side and blow dried with strong body, the front lifted and brushed back away from the forehead, deliberately full and shaggy in the period manner, absolutely no short modern crop and no fringe falling on the forehead. Grooming: a neatly kept moustache along the upper lip, thick natural eyebrows. Clothing: a dark suit jacket with very wide notched lapels over a light patterned shirt with a long pointed collar worn spread open over the lapels. Pose: seated with the body turned thirty degrees away and the face returned to the camera, shoulders squared, a composed closed mouth expression. Framing: chest up, the face centred and moderately large, a narrow margin above the hair. Background: a smooth painted studio backdrop in plain light grey, darker at the corners. Rendering: black and white only, soft frontal studio lighting with gentle fill, fairly strong contrast with clean whites and dense blacks, visible coarse film grain, mild overall softness, subtle vignetting, very light print aging with a few faint dust specks. Keep the facial detail crisp. No colour, no sepia, no modern hairstyle, no heavy blur over the face, no idealised generic model face, no text, no letters, no watermark. Verify before finishing that the face still matches the reference image feature by feature.
3. 1980년대 컬러 사진관
뽀글 파마와 파란 아이섀도, 뿌옇게 번지는 소프트포커스
여자
Take the person from the reference image and re render them as a colour Korean photo studio portrait taken in the 1980s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. The soft focus and period retouching may soften skin texture only and must never reshape a single feature. Treat this as a photograph of the same person taken on a different day. Restyle only the following. Hair: tightly permed black hair with heavy volume standing out around the head, curled and set stiff with spray, a full curled fringe. Makeup: matte pale foundation, thick straight dark brows, bright blue eyeshadow blended to the brow bone, thick black eyeliner, vivid coral blush swept wide across the cheekbones, glossy pink lipstick. Clothing: a boldly coloured blouse with a large ruffled collar and strong shoulder padding, large gold clip earrings. Pose: seated, body angled away with the face turned back, chin toward one raised shoulder, a bright closed mouth smile. Framing: chest up, the face large and centred, a narrow margin above the head. Background: a painted studio backdrop in mottled pastel blue and pink with a bright halo behind the head. Rendering: heavy soft focus diffusion filter with highlights blooming outward, oversaturated warm colour, low contrast, fine film grain, glowing edges. No modern makeup, no digital sharpness, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as a colour Korean photo studio portrait taken in the 1980s. IDENTITY LOCK, highest priority and more important than any styling instruction below: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not sharpen the jawline, do not change the apparent age. Keep the forehead and both eyebrows fully visible and unobstructed, keep the head facing the camera. Restyle only the following. Hair: thick black hair blow dried with strong exaggerated volume and lift standing up at the front, feathered at the sides covering the tops of the ears, a soft loose perm through the length, set rigid with spray, deliberately overstyled, absolutely no fringe falling on the forehead. Grooming: clean shaven, thick natural eyebrows. Clothing: a boxy pale beige or light blue suit jacket with very wide lapels and heavy shoulder padding, over a shirt with a wide collar and a broad patterned tie in strong colours. Pose: seated, body angled away with the face turned back to the camera, one hand resting on the knee, a confident closed mouth smile. Framing: chest up, the face centred and moderately large, a narrow margin above the hair. Background: a painted studio backdrop in mottled pastel blue and grey with a bright diffuse halo behind the head. Rendering: oversaturated warm colour, low contrast, a soft glow blooming out of the bright background and the edges of the hair and shoulders while the face itself stays clear and readable, fine film grain, mild vignetting. No soft focus filter over the face, no bloom across the features, no modern hairstyle, no idealised generic model face, no text, no letters, no watermark. Verify before finishing that the face still matches the reference image feature by feature.
4. 1990년대 사진관
집에 한 장씩은 있는 그 사진입니다. 파란 그라데이션 배경에 어깨 패드 재킷.
여자
Take the person from the reference image and re render them as a formal Korean photo studio portrait taken in the mid 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. The soft focus and period retouching may soften skin texture only and must never reshape a single feature. Treat this as a photograph of the same person taken on a different day. Restyle only the following. Hair: blow dried with lift and volume at the crown and front, stiff with hairspray, shoulder length with the ends curled inward, no loose modern flyaway strands. Makeup: thin high arched brows with a defined tail, matte foundation, soft brown and mauve eyeshadow, thin eyeliner, brownish rose lipstick with a defined lip line, blush swept high on the cheekbone. Clothing: a boxy dark navy jacket with shoulder padding and wide lapels over a white blouse with the collar turned out over the jacket, small gold earrings. Pose: seated upright, body angled thirty degrees away with the face turned back, chin slightly lowered, a closed mouth polite smile. Framing: chest up, the face large and centred, a narrow margin above the head. Background: a mottled hand painted canvas backdrop in blue grey, darker at the edges with a lighter halo behind the head. Rendering: soft even frontal studio lighting with strong fill, a soft focus diffusion filter with blooming highlights, low contrast, a warm yellow green 1990s colour print cast, fine film grain, mild vignetting. No modern hairstyle, no modern makeup, no dewy glass skin, no digital sharpness, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as a formal Korean photo studio portrait taken in the mid 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. Restyle everything else to the period. PERIOD GROOMING, apply all: thick untrimmed natural eyebrows that are fuller and softer edged than a modern groomed brow, with stray hairs above and below the line and no sharp defined tail. Skin left unmanaged with visible pores, some oil shine on the forehead and nose and a slightly uneven tone rather than a clear treated complexion. Sideburns cut straight across at mid ear level. Clean shaven with a faint shadow along the jaw. Hair: black hair with the sides left long enough to cover the tops of the ears, the front lifted and combed straight back with a wet looking gel shine so the full forehead and hairline are exposed, stiff and glossy, absolutely no matte modern texture, no faded sides, no fringe. Large gold rimmed square glasses. Clothing: an oversized dark navy suit jacket with very wide lapels and heavy shoulder padding, clearly loose through the body, over a white shirt with a wide collar and a broad patterned tie in muted maroon and gold. Pose: seated upright, body angled thirty degrees away with the face turned back, shoulders squared, chin level, a stiff formal expression with the mouth closed and no smile. Framing: chest up, the face centred, a narrow margin above the hair. Background: a mottled hand painted canvas backdrop in blue grey, darker at the edges with a diffuse lighter halo behind the head. Rendering: soft even frontal studio lighting with heavy fill so the face is almost shadowless and flat, a strong warm yellow green 1990s colour print cast, noticeably faded and shifted colour, low contrast, visible film grain, mild vignetting, a soft glow around the hair and shoulders while the facial features stay readable. No modern hairstyle, no groomed eyebrows, no clear treated skin, no slim tailoring, no clean digital colour, no modern smile, no idealised generic model face, no text, no letters, no watermark.
5. 1990년대 대학 졸업사진
학사모와 가운은 지금과 같습니다. 그래서 헤어와 필름 색감으로만 시대를 만듭니다.
여자
Take the person from the reference image and re render them as a Korean university graduation portrait taken in the early 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. Keep the forehead and both eyebrows fully visible and unobstructed. Restyle only the following. Hair: black hair permed into loose curls with heavy volume lifted high at the crown and at the front, a curled fringe rolled up and back off the forehead, stiff with hairspray, ends curling outward at the shoulder, absolutely no sleek modern straight hair. Makeup: thin high arched pencilled brows, matte foundation noticeably lighter than the neck, brown and pink shimmer eyeshadow blended up to the brow, thick dark eyeliner, strong pink blush swept diagonally, glossy brick red lipstick with a defined lip line. Clothing: a black academic gown over a white collared blouse with the collar folded out over the gown, a black mortarboard sitting flat with the tassel to one side, small gold earrings. Pose: standing upright facing the camera straight on, both hands holding a rolled diploma with a ribbon at the waist, a bright closed mouth smile. Framing: waist up, centred, a narrow margin above the cap. Background: an out of focus campus lawn with trees and a low brick building on an overcast day. Rendering: shot on 1990s colour negative film with a mild direct flash, a warm yellow green colour cast with slightly faded shifted colour, low contrast, visible film grain, gentle softness, mild vignetting. No modern hairstyle, no modern makeup, no clean digital colour, no sharp modern clarity, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as a Korean university graduation portrait taken in the early 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. Restyle everything else to the period. PERIOD GROOMING, apply all: thick untrimmed natural eyebrows, fuller and softer edged than a modern groomed brow, with stray hairs and no sharp tail. Skin left unmanaged with visible pores, oil shine on the forehead and nose and a slightly uneven tone. Sideburns cut straight across at mid ear level. Clean shaven with a faint jaw shadow. Hair: black hair with the sides covering the tops of the ears, the front lifted and combed back with a wet gel shine exposing the whole forehead and hairline, stiff and glossy, no matte modern texture, no faded sides, no fringe. Large gold rimmed glasses. Clothing: a black academic gown worn loose over a white shirt with a wide collar and a broad patterned tie, a black mortarboard sitting flat with the tassel to one side. Pose: standing upright facing the camera straight on, both hands holding a rolled diploma with a ribbon at the waist, a stiff closed mouth expression with only the faintest smile. Framing: waist up, centred, a narrow margin above the cap. Background: an out of focus campus lawn with trees and a low brick building on an overcast day. Rendering: shot on 1990s colour negative film with a mild direct flash, a strong warm yellow green cast with noticeably faded and shifted colour, low contrast, visible film grain, gentle softness, mild vignetting. No modern hairstyle, no groomed eyebrows, no clear treated skin, no clean digital colour, no modern smile, no idealised generic model face, no text, no letters, no watermark.
6. 1990년대 예식장 기념사진
퍼프소매 드레스에 직광 플래시. 부모님 결혼사진의 그 질감입니다.
여자
Take the person from the reference image and re render them as a Korean bride in a wedding hall commemorative photograph taken in the 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. The bridal makeup and soft focus may soften skin texture only and must never reshape a single feature. Treat this as a photograph of the same person taken on a different day. Restyle only the following. Hair: pulled up into a structured set updo with heavy volume at the crown, stiff with spray, a few curled tendrils framing the face, a small tiara and a short veil pinned at the back. Makeup: matte pale foundation, thin arched brows, shimmering pink and lilac eyeshadow, thick eyeliner, strong pink blush, glossy coral lipstick. Clothing: a white satin wedding dress with large puffed sleeves and a high neckline, white gloves, holding a large round bouquet of white and pink flowers at the waist. Pose: standing upright facing the camera straight on, hands clasped around the bouquet, a bright closed mouth smile. Framing: waist up, centred, a narrow margin above the head. Background: a wedding hall interior with a decorated arch and artificial flowers, slightly out of focus. Rendering: harsh direct on camera flash lighting the subject flatly with a hard shadow behind, a soft focus filter blooming the highlights, oversaturated warm colour, low contrast, fine film grain. No modern hairstyle, no modern makeup, no minimal styling, no digital sharpness, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as a Korean groom in a wedding hall commemorative photograph taken in the 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. Restyle everything else to the period. PERIOD GROOMING, apply all: thick untrimmed natural eyebrows, fuller and softer edged than a modern groomed brow, with stray hairs and no sharp tail. Skin left unmanaged with visible pores and oil shine on the forehead and nose. Sideburns cut straight across at mid ear level. Clean shaven with a faint jaw shadow. Hair: black hair with the sides covering the tops of the ears, the front lifted and combed straight back with a heavy wet gel shine exposing the whole forehead and hairline, stiff and glossy, no matte modern texture, no faded sides, no fringe. Clothing: an oversized black tuxedo with a very wide satin lapel and strong shoulder padding, clearly loose through the body, a white wing collar shirt, a black bow tie, white gloves, a large white flower boutonniere at the chest. Pose: standing upright facing the camera straight on, one white gloved hand resting over the other at the waist, shoulders squared, a stiff formal expression with the mouth closed. Framing: waist up, centred, a narrow margin above the head. Background: a wedding hall interior with a decorated arch, artificial flowers and heavy curtains, clearly out of focus. Rendering: harsh direct on camera flash lighting the subject flatly and brightly with a hard defined shadow on the background behind him, oversaturated warm colour with a yellow cast, low contrast, visible film grain, a glow blooming out of the white shirt and gloves while the face stays readable. No modern hairstyle, no groomed eyebrows, no clear treated skin, no modern slim tailoring, no modern smile, no idealised generic model face, no text, no letters, no watermark.
7. 1990년대 가요 앨범 자켓
여자
Take the person from the reference image and re render them as the cover portrait of a Korean pop album released in the late 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. The retouching may soften skin texture only and must never reshape a single feature. Treat this as a photograph of the same person taken on a different day. Restyle only the following. Hair: long black hair with heavy layers and a curled fringe, teased for volume at the crown, held with spray. Makeup: matte pale foundation, thin arched brows, frosted silver and lilac eyeshadow with shimmer on the lid, thick eyeliner, pale frosted pink lipstick. Clothing: a shiny satin top in a saturated colour, a choker necklace, layered silver accessories. Pose: standing turned partly away with the face returned to the camera, chin lowered and eyes lifted to the lens, a cool unsmiling expression. Framing: chest up, the face large and centred, a narrow margin above the head. Background: a plain saturated studio backdrop in deep blue or magenta with a soft gradient. Rendering: hard direct studio flash with a specular sheen on the skin, strong falloff at the edges, soft focus filter blooming the highlights, oversaturated colour, fine film grain, slight print halftone quality. No modern makeup, no digital sharpness, no idealised generic model face, no text, no letters, no watermark.
남자
Take the person from the reference image and re render them as the cover portrait of a Korean pop album released in the late 1990s. IDENTITY LOCK, highest priority: the person must remain unmistakably the same individual as in the reference image. Preserve exactly their face shape and width to length ratio, jawline and chin, cheekbone position, eye shape size and spacing, eyelid crease, eyebrow shape and thickness, nose bridge width and tip, philtrum, lip shape and thickness, ear shape and any moles. Do not beautify, do not slim the face, do not enlarge the eyes, do not raise the nose bridge, do not change the apparent age. The retouching may soften skin texture only and must never reshape a single feature. Treat this as a photograph of the same person taken on a different day. Restyle only the following. Hair: black hair layered and grown past the collar with heavy teased volume lifted high at the crown, loose wavy pieces falling around the temples and over the ears, glossy with a wet looking sheen catching the light, held with spray. Grooming: clean shaven, defined brows, a light sheen on the skin. Clothing: a shiny deep purple satin shirt with the collar open at the chest, a wide silver chain choker at the throat, several layered fine silver chain necklaces, silver rings. Pose: standing turned partly away with the face returned to the camera, chin lowered and eyes lifted to the lens, a cool unsmiling expression. Framing: chest up, the face large and centred, a narrow margin above the head. Background: a plain saturated studio backdrop in deep magenta with a soft radial gradient glowing behind the head and falling darker toward the corners. Rendering: hard direct studio flash on the face with a strong coloured rim light raking across the hair and one shoulder from behind, a specular sheen on the skin and the satin, strong falloff at the edges, soft focus filter blooming the highlights, oversaturated colour, fine film grain, slight print halftone quality. No modern hairstyle, no matte leather, no split colour lighting, no digital sharpness, no idealised generic model face, no text, no letters, no watermark.
결과가 마음에 안 들 때
얼굴이 다른 사람으로 바뀐다
원본 사진을 바꾸세요. 앞머리가 이마를 덮었거나, 얼굴이 작게 나왔거나, 보정 앱을 많이 쓴 사진이면 유지가 어렵습니다. 그래도 안 되면 프롬프트 맨 끝에 이 문장을 붙이세요.
Before finishing, compare the generated face against the reference image feature by feature and correct anything that does not match.
시대감이 안 난다
헤어가 범인입니다. 요즘은 잔머리를 흘리고 매트하게 두는데, 그 시절은 전부 붙여서 넘기고 광이 났습니다. 프롬프트의 Hair 부분을 더 강하게 읽히도록 그대로 두시고, 대신 아래를 끝에 붙이세요.
Push the period hairstyle and clothing much further than feels natural. The styling should read as clearly dated, not contemporary.
요즘 사진처럼 깨끗하다
인화 질감이 빠진 겁니다. 이 문장을 끝에 붙이세요.
Render this as an aged physical print: faded and shifted colour, lifted blacks, visible grain, dust specks and slight surface wear.
